I am running in terror from a voice which is calling my
name.
I see a door, I open it, and find myself in a room. I start
putting up pictures of David Soul on the walls. I cover the walls, ceiling and
floors with pictures of David Soul and, after 18 months, I am tired and fall
asleep. I wake up in darkness. A voice calls my name.
I run out of the room and run and run and run. I see another
door. I open it and find myself in a different room. In the corner is the most
beautiful and amazing object that I have ever seen. I pick up the object and
start to play with it. It is a guitar. I can hardly believe its power. I sit there
and play the guitar for years and years and years. Eventually, I am tired and I
fall asleep.
I wake up in darkness. A voice calls my name. In all of the
music, I had forgotten about the voice.
I run out of the room, and run and run and run. How could I
have forgotten the voice? I run and run and run until, at last, I see another
door.
I open the door, and inside is another room, with a table, a
lamp, and a chair. On the table is a notebook and a pencil.
I sit at the table and I start to write. I write and I write
and I write. I write the story of my life in 47,000 words. I write stories about
a superhero who acquires his powers after falling down the stairs into a bath
full of custard, and whose nemesis is a master of disguise called Devious Dave.
I write about a land of friendly dinosaurs and lemonade streams and ice-cream
trees and the five brothers who have magical adventures there. I write about
the Wee Banny Doodle. But after years, I am tired of writing stories for my
children and, instead, I start to write for myself. Poems are what I like best,
so I write poems.
I write hundreds and hundreds and hundreds of poems, about
everything, even guitars and David Soul. After years of writing, I grow even
more tired. But this time, I have not forgotten about the voice calling my
name.
I look at all of the poems which I have written and, one by
one, I start to learn them. I pace around my room reading them out loud, again
and again and again, in a funny, loud, mad voice which make me laugh. I imagine
that I am walking around fields reciting my poetry to an audience of sheep and
subterranean potatoes.
I learn as many poems as I can off-by-heart, for I have been
awake for years and am very, very tired, and know that soon I will sleep, and
that when I wake, the voice will frighten me so much that I might forget to
take my poems with me. If they’re in my head, I can take them with me.
I lie my head on the table and fall asleep.
I wake up. Someone has switched off the lamp.
A voice calls my name. I check that my head is still full of
poems, grab my notebook and pencil, and run for my life.
I run and I run and I run. I see a door. I open and slam it
behind me.
The room is in total darkness. A voice calls my name.
Shit!
I run out of the room. I run and I run and I run. I see a
door, open it and then slam it behind me. A
voice calls my name.
No!
I run. I find a door. I open it to darkness. A voice calls
my name.
I run and I run and I run. None of the doors are safe. I run
and I run and I run, until I can run no more.
A door unlike all the other doors appears before me. I open
it, and collapse into a chair. My heart is beating furiously and I am crying
like a child. I feel as weak as a kitten. I look up from my chair.
Opposite me is a man. He starts to say my name, but I stay
where I am. I am too exhausted to move. Too shocked. Too stunned. Too
traumatized. Too upset.
Too ill.
“…Depression,” he says, as if it is the final word of a long
explanation, an explanation which I didn’t quite catch, what with all the
running and mania and fear and poetry and David Soul and guitars and monks who pulled
my hair and beat me for no good reason (I didn’t write about that room; they
locked me in and shouted my name at me for six years, but I escaped; I ESCAPED!).
He gives me a print-out with the long explanation on it. He also gives me some
pills.
I’m not too keen on taking pills, but then I remember a
sentence from the explanation, a sentence about men in their 40s being more
likely to kill themselves than anyone else, and I’m not too keen on that idea
either.
I drive. I arrive at a house. I walk inside the house and go
into one room after another. There is a room full of guitars which were once
worshipped but are now neglected. There is a room with a very large box. I open
up the box. It has dozens of notebooks inside. They are full of poems and
stories, as is my head. And in another room, my retro-loving son’s bedroom, I
search and search and search for something which I have not seen in years. It
must be here in the massive collections of vinyl which he has inherited. The first
album which I ever owned, with the last remaining picture of David Soul on its
front, all the other pictures having been thrown away while I was in hospital,
aged 9, recovering from septicaemia while my family moved house.
I look up to see my wife standing in the doorway. “How did
it go at the doctor’s?” she asks.
And I tell her about this voice; this name.
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