For James Green
There’s no such thing as time, if we believe
the mystics, for time is just
the measurement of objects
relative
to space. A day is only such from
our
perspective, here on little planet
Earth.
There is no time, they say,
there’s only now
and only ever has been now.
And that was what was on my mind
before
I fell asleep last night, a night
which may
be seen as little more than an
illusion,
depending on your mystical
perspective.
Mystics be damned! I like the
measurement
of time. It’s useful if you have a
train
to catch, or a wife whose birthday
needs
remembering. I wonder how I would
arrange to meet my old friend Jon
if time
could not be measured. Here I am
in France,
not far from where he lives.
‘When shall we visit?’
he’d asked. A simple ‘Be here
now’ would not have worked.
Thinking of time, I calculated that,
in just two years, we will have
known each other
for forty years, which isn’t bad
as friendships go.
Next month, I meet with Pasc, another
old friend.
Continuing my time-related
thoughts,
I realised our friendship was now
forty-one.
And then, a glorious epiphany –
this month I’ve known James Green
for fifty years!
I wondered what it was that he was
doing with
his non-existent time while I was
starting
to feel a bit old. Maybe he’s
unconsciously
tapping a rhythm on the nearest
surface,
a habit every drummer seems to
have.
Perhaps he’s tutoring some
reluctant child,
I thought, or getting ready for a
walk
with Bex, or talking to his cat, or writing
a song… which brought me back to
Pasc and Jon.
Pascal, as he then was, had been
recruited
to play the bass in my first band.
At our first gig, he’d had to play
unplugged
because we’d left his lead behind
and didn’t have
the time to get back to the house
and pick it up;
a better way of making friends I
do not know.
And Jon and I had spent our
sixth-form years
strumming guitars and talking
music
and searching, always searching,
for a bloody plectrum.
We could have been a four-piece
band, I think,
and picture us rehearsing
never-written songs:
Pasc with his unplugged bass, Jon
looking in van
for that elusive pick, me singing
my dreadful adolescent lyrics,
and, always in the background
somewhere, James
keeping the non-existent time on
his drums.
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